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SAMPLE SYLLABUS

Goals

This is a course about research and writing, but not in the ways with which you are most likely familiar. You will not be asked to take a position on an issue like gun control or welfare reform, then conduct library research on that issue to support that position, which you finally "write up" and call a research paper. No, instead you will be reading about and arguing both with and against a large (but focused) academic question (presented in a series of readings offered in Literacies in Context, 2007), discover and refine your arguments  (NOT in a pro/con sort of way), which you will then examine again through your own primary research (interviews, field observations, surveys) and further flesh out via more traditional library research.

The kind of "research" paper you develop will not be a rehashing of ideas already presented elsewhere. YOUR research paper will contain data that exist no where else because YOU will be the one to collect, analyze, and present this research. We call this kind of research--the process by which we conduct it, the methods we use to analyze the findings, and the text we write to present that research--ethnography. Ethnography, according to Bonnie Stone Sustein and Elizabeth Chiseri-Strater, is "the study of people in cultures" AND "the text that is written based on that study." That is what you will learn to do here. 

The primary purpose of this course is to further develop your skills as a reader and writer, but we will do that via means that may seem strange and even a little confusing at first. Stick with it, though. We believe you will be excited, surprised, and even a little impressed by what you and your classmates come up with. I know I will. 

Required Materials

Carter, Shannon. Literacies in Context. Southlake, Texas: Fountainhead Press, 2007.

Sustein, Bonnie Stone and Elizabeth Chiseri-Strater. FieldWorking: Reading and Writing Research. Bedford/St. Martin's, 2006.

Three-ring binder that will serve as your Research Portfolio (see below)

Disk or other means of storing digital versions of the essays and other written material you generate (always, always keep a backup of everything you turn in!)

Recommended Text

Menager-Beeley, Rosemarie and Lyn Paulos. Understanding Plagiarism: A Student Guide to Writing Your Own Work. NY: Houghton Mifflin Company, 2006.

Grading Policy

Your final course grade will be based primarily on the quality of work you include and submit in your Research Portfolio (more on that below) and your Final Ethnographic Essay (10-15 pages). The remaining items include three, formal writing assignments (3-5 pages), additional informal writing projects, and your participation in the culminating event, a "Celebration of Student Writing" (more on that below, as well).

Final Ethnographic Essay (20%): You will be working toward this final "research" paper throughout the term. Everything you read, write, collect, discuss, analyze, report, and reflect on will build up to this important and complex project. Most of the "behind the scenes" materials documenting and allowing your research and writing processes throughout the development of your Final Ethnographic Essay will be housed in your "Research Portfolio" which, by the very end of the term, will be revised again in preparation for a much larger audience: the entire school! (see "Celebration of Student Writing" below). Don't be too concerned about this. When it is time, you will be ready. That's what we're here for! 

Research Portfolio (20%): The Research Portfolio will "house both the process and the product of [your] fieldwork. . . . .

   As you assemble and revise your portfolio, you'll develop a behind-the-scenes account of the story of your research, which you'll want to share with others. Naturally, the research portfolio will include your final ethnographic essay, but your selection will also show artifacts from the thinking process that led to this project. You'll want to represent selections form the reading, writing, and materials you've relied on along the way: writing exercises, fieldnotes, interview questions, charts, methods of analysis, and whatever helped you think your way through  final written project" (FieldWorking, 56-57). "To keep track of your project," Sustein and Chiseri-Strater suggest, "you'll move back and forth among four key activities: collecting, selecting, reflecting, and projecting" (57). See FieldWorking for much more about how (and why) to begin this process and negotiate these activities (56-58; 112; 167-168; 220; 300; 352;412; 463)

 

Writing Assignment 1 (10%): Making use of Deborah Brandt's concept "Sponsors of Literacy" (Chapter 2, Literacies in Context), this essay calls upon you to reconstruct key moments in your literacy history by identifying the agents sponsoring this literacy and narrating the way literacy has "pursued" you in a variety of contexts (see Literacies in Context, 39, for full description).

 

Writing Assignment 2 (10%): Making use of the readings presented in Chapter 3 of Literacies in Context, this essay calls upon you to describe literacy practices as they function in a particular place (in your church, at your workplace, in your home, in a store you frequent, or someplace else). (see Literacies in Context, 113, for full description)

 

Writing Assignment 3 (10%): Making use of the readings presented in Chapter 4 of Literacies in Context, this essay calls upon you to examine not only your own literacy practices as you've experienced and developed them but to compare these experiences with what formal literacy instruction often asks of writers and readers.  (see Literacies in Context, 213, for full description)

 

Research Proposal (10%): Before you get too far with your ethnographic project, you will be expected to articulate your research plan--that is, what do you want to know, why is it important, what research methods will you use to obtain the information you need, why is the proposed research site the most appropriate one for your project's goals, and how will your research project--as proposed--extend/resist/otherwise make use of the readings and key arguments presented in Literacies in Context (refer again to WA1-3).  Don't forget about those important permissions (which we will discuss at some length later).

 

Informal Writing Assignments (10%): You will be expected to develop several informal writing projects, including Reflective Memos (through which you reflect on your data collection process and/or plans for your Final Ethnographic Project and/or your Research Portfolio) and journal and other freewriting exercises.

 

Celebration of Student Writing (10%): At the end of the term (during finals week), you will bring your ready-for-presentation Research Portfolios and an outline of your Final Ethnographic Project to one of several tables making up the presentation area of this Celebration. There during your scheduled hour, you will share your hard work with faculty, students, and administrators throughout our university. Modeled after the celebration by the same name held at Eastern Michigan University (see http://www.emich.edu/english/fycomp/celebration/index.htm), our own "Celebration of Student Writing" at Texas A&M-Commerce will serve as the culminating activity for many sections of English 102 and even a few sections of English 100 and 101.

Writing Center

The Writing Center (or the “Communication Skills Center”) offers writers free, one-on-one assistance. We welcome all writers, majors, and disciplines—undergraduate and graduate students alike. In fact, we work from the premise that all writers, no matter their ability level, benefit from the feedback of knowledgeable readers. The Writing Center staff is trained to provide writers with just this service. In short, we are here to help you help yourself. In order to ensure the most effective session possible, we offer visitors the following suggestions: (1) Get started on your writing project early, and visit the Writing Center at least one day before your final draft is due. You will need time to work with the ideas and suggestions generated in your tutorial sessions. (2) Bring a written copy of your assignment, any relevant readings, and one or two specific questions or concerns you would like to discuss with us. We are located in the Hall of Languages, Room 103 (903-886-5280) and online at <http://www7.tamuc.edu/litlang/CSC/index.htm>.

Academic Honesty

The official departmental policy: “Instructors in the Department of Literature and Languages do not tolerate plagiarism and other forms of academic dishonestly. Instructors uphold and support the highest academic standards, and students are expected to do likewise. Penalties for students guilty of academic dishonesty include disciplinary probation, suspension, and expulsion. (Texas A&M University-Commerce Code of Student Conduct 5.b [1,2,3])

If you ever have any questions about a particular use of a source, always ask your instructor. They want you to avoid plagiarism, too, so they will help you do so whenever and wherever they can. Do what you can to take advantage of this support—to look innocent in addition to being innocent when it comes to charges of plagiarism.
 

On University-Sanctioned Activities

To accommodate students who participate in university-sanctioned activities, the First-Year Composition Program offers sections of this course at various times of the day and week. If you think that this course may conflict with a university-sanctioned activity in which you are involved--athletics, etc.--please see me after class today.

Additional Official Statements

Student Conduct: All students enrolled at the University shall follow the tenets of common decency and acceptable behavior conducive to a positive learning environment. In addition, you are requested to turn off your cell phones before entering the classroom. Common courtesy says you do not receive or answer calls during class. If there is an emergency that requires you to leave your phone on, talk to me about it beforehand and switch the phone to vibrate so you don't surprise me when you leave class to take a call and you don't interrupt class when the call comes in. Also, Instant/Text Messaging is off limits.

Americans with Disabilities Act Statement: Students requesting accommodations for disabilities must go through the Academic Support Committee. For more information, please contact the Director of Disability Resources and Services, Halladay Student Services Building, Room 303D, 903.886.5835.
 

Schedule

Literacies in Context (LC); FieldWorking (FW)

  • Week 1: chapters 1-2 (LC)

  • Week 2: WA1; "Looking at Subcultures: (FW, Box 1, page 6-7)

  • Week 3: Chapter 1 (FW) and Chapter 3 (LC)

  • Week 4: "Exploratory Writing" (FW, Box 4, 73); WA2; Chapter 2 (FW)

  • Week 5: Chapter 4 (LC); "Exploratory Note taking" (FW, Box 5) and "Double-Entry Notes (FW, Box 6, p. 91)

  • Week 6: WA3;

  • Week 7: Chapter 4 (FW); Research Portfolio (begin)

  • Week 8: Chapter 5 (LC); Develop Research Plans for Final Ethnographic Project

  • Week 9: Research Proposal Due; Conference with Instructor to discuss proposed project

  • Week 10: Begin fieldwork and read/discuss/apply Chapter 5 (FW); Festival of Data

  • Week 11: Continue fieldwork and read/discuss/apply Chapter 6 and 7 (FW)

  • Week 12: Continue fieldwork and read/discuss/apply Chapter 8 (FW)

  • Week 13: Chapter 8 continued; develop draft of Final Ethnographic Project

  • Week 14: Final Ethnographic Project due

  • Week 15: Prepare Research Portfolio for Presentation (Celebration of Student Writing)

  • Finals Week: "Celebration of Student Writing"

 
 
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