THE
WRITING CENTER AT TEXAS A&M-COMMERCE
has been around, in
one form or another, for more than thirty years. Think about it.
In 1970, when first-year composition teachers at what was then
called East Texas State University (ETSU) created the earliest
version of our writing center (Moseley 32), composition studies
as a discipline was just getting started. A few years later,
when Lil Brannon and Jeanette Harris finished transforming this
informal learning space into a full-fledged writing center,
places like Purdue
University had only begun establishing their own
writing centers. That means our writing center pre-dates many of
the same places that have gone on to become the most significant
writing centers in the country directed by some of the most
important scholars in the writing center community. Our very
own Ann Moseley, Richard Tuerk, and Jon Jonz directed the
Communication Skills Center here at a time when Muriel
Harris—now the most ubiquitous and revered name in the writing
center community—was just another new administrator with an
up-start writing center.
Writing center
work is not new. In fact, a version of the modern writing center
may have sprung into existence more than 125 years ago—
about the same time composition became a required course in
American colleges and universities. However, most agree that the
individualized, process-based pedagogies that drive contemporary
writing center work came about in the 1970s. Thus, the TAMU-Commerce
writing center existed in beginning, making significant
contributions to the writing center community in general and our
own institutional history in particular.
1977:
The Communication Skills Center is "Official” |
From 1970-1977,
the Communication Skills Center was a rather informal
enterprise. However, in 1977, Lil Brannon and Jeannette
Harris made it "official"--when they were graduate students
in our doctoral program and before they went on to win
national reputations as composition scholars. The new
"official" Communication Skills Center developed into two
separate but deeply-related learning spaces: (1) the
Writing Center, coordinated by Lil Brannon, and (2) the
Reading Center, which was first coordinated by our
Ann
Moseley. The director of the newly-formed
"Communication Skills Center":
Dr. Richard Tuerk! Right away, Drs. Harris and
Moseley begin to see the close connections between reading
and writing, and these connections continue to shape aspects
of the philosophy guiding our current
Basic Writing Program. Over
the years, they have continued to collaborate, publishing
several popular textbooks for basic writing courses across
the nation.
1978-1990:
People Change,
Programs Evolve, and English 100 is Established
___________________________________________________________________________________________________________
1978-79:
A national search
brought Dr. Jon Jonz in
as Director of the CSC, Jeanette Harris continued as Supervisor
of the Writing Center, and Cynthia Setchel as Supervisor of the
Reading Center.
1979:
English 100 was
developed.
1980:
English 100 was
instituted.
1982:
Dr. Harris left to
take a position at Texas Tech University, Dr. Glenna Howell, who
had been hired to supervise developmental reading courses, was
made Director of the Reading Center, and Dr. Moseley became the
Director of the Writing Center.
1983:
Dr. Jonz resigned
as CSC Director to devote his time to teaching and research, and
Drs. Howell and Moseley became co-directors.
1985-89:
A lack of funding
forced the Reading Center to close and remain closed until 1989.
1989:
Renewed, statewide
interest in developmental education generated by the new
high-stakes, state-mandated test the
Texas Academic Skills Program
(TASP), the Reading Center was reopened for the fall of 1989
with Dr. Liz Buckley as supervisor.
1990:
Dr. Moseley
resigned to go into full-time teaching, and Dr. Buckley took her
place as Director.
1989:
STATE MANDATED STANDARDIZED TESTING AND THE "NEW" WRITING
CENTER
In 1989, the State
of Texas forced all Texas State colleges and universities to
rework their writing centers and basic writing programs in ways
few of us could have anticipated and even fewer desired. The "TASP
Law," passed in 1989, required any student planning to attend a
Texas State college or university to take and pass the Texas
Academic Skills Program (TASP Test) before they could be fully
admitted. TASP (now THEA) includes three sections, one tests
"Reading" through a series of short, unrelated passages followed
by multiple-choice questions, another tests "Writing" via a
timed writing sample (a pro/con response to a short prompt) and
multiple-choice questions on usage and grammar, and a third
tests "Math." From 1989 until just last year when the law was
repealed by SB 286, TASP Law required all students failing any
section of this skills-based test to receive some sort of
"remediation" until they did (Lile, "Texas
Success Initiative Replaces TASP") . Working from the
conceptual framework that as determined by this Test, such
students "were not ready for college-level work"--as one staff
member of the Texas Higher Education Coordinating Board put it--TASP
Law did not allow Texas State colleges and universities to offer
credit for these remediation programs.
Since writing
centers and basic writing programs are often places generating
no college credit, such places were thus confirmed as the
institutional "home" on many Texas campus for writers with
nonstandard ways of knowing and communicating. These writing
centers and basic writing programs were thus charged with
changing these non-mainstream writers in ways that mimic
institutional standards--a change no longer required "simply" by
institutional mandate but Texas law. In many ways, TASP Law
demanded that writing centers in Texas State schools reinforce
institutional norms by shaping writers who failed TASP into
writers who conform to the norms of the academy. Why? Because
until these students passed all three sections of this
skills-based test, they could not take any upper-level college
courses at any public university or college in Texas, and they
had to continue in some form of non-credit bearing "remediation"
until they were able to pass TASP in its entirely.
In truth, TASP may
have actually been a mixed blessing for Texas writing centers
and basic writing programs. Though in many ways decisions like
the TASP Law confirm the marginalized status of our programs by
further identifying these learning spaces as places where
students can learn to behave and communicate in ways the
dominant social order will recognize, value, and accept (a
necessarily service capacity), the law itself also composed
these learning spaces as vital. In doing so, the same law
many of us challenge as unethical and inadequate forced nay-sayers
to recognize the importance of literacy
education. The
greatest benefit of TASP for writing centers and basic writing
programs across the State: it all but guaranteed funding and
support for these non-mainstream students because though any one
of our State colleges and universities could deny admittance to
these students by some other gate-keeping measure (other
placement tests, incoming grade point average, etc.), the law
required us to have some sort of support system in place for
these students we do admit but who, for whatever reason, do not
do well on the TASP.
The
Texas Success Initiative (enacted July 2003) repeals all
previous TASP mandates, placing decisions for such needs at the
institutional rather than the State level. Though this new law
offers us many more possibilities for these marginalized
learning spaces, it also reveals the ways in which the State has
loosened its commitment to these non-mainstream groups. Even as
their original commitment forced these learning spaces to reify
the status quo and thus composed such learning spaces as at once
marginalized by the academy and essential to that same academy,
such mandates ensured these spaces would remain an important
force in the academy. Now the future of such spaces is less
certain.

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